Arslan Sükan

Untitled 29 from the series of INtheVISIBLE, 2019

2019

Roller Coaster Triptych (Aerial Photography) by Jill Peters Overall size: 34 in. H x 147 in. W 2015 Edition 1/2 Archival Pigment Print Print Unframed A...

Untitled 25 from the series of INtheVISIBLE, 2013 by Arslan Sukan Archival inkjet print on baryta photographic paper Image size: 30 cm x 23 cm Edition 1/3 + 1AP Signed and Unframed ...

Untitled 12 from the series of INtheVISIBLE, 2013 by Arslan Sukan Archival inkjet print on baryta photographic paper Image size: 120 cm x 180 cm Edition 1/3 + 1AP Signed and Unframe...

Untitled 14 from the series of INtheVISIBLE, 2013 by Arslan Sukan Archival inkjet print on baryta photographic paper Image size: 180 cm x 140 cm Edition 1/3 + 1AP Signed and Unfram...

Untitled 15 from the series of INtheVISIBLE, 2013 By Arslan Sukan Archival inkjet print on baryta photographic paper Image size: 150 cm x 103 cm Edition 1/3 + 1AP Signed and Unfra...

Untitled 5 from the series of INtheVISIBLE, 2013 By Arslan Sukan Archival inkjet print on baryta photographic paper Image size: 170 cm x 255 cm Edition 1/3 + 1AP Signed and Unfram...

"Chief" Wyoming, USA 2020 Large: 71" x 96” Edition of 12 Standard: 52" x 69" Edition of 12 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed by artist with Certificate of Authenticity Over the last few weeks we have quietly been photographing senior Native Americans against the backdrop of quintessential and emblematic American vistas.⁣⁣ ⁣⁣ Whilst we will be releasing some of the series in the run up to the Presidential Election, this is not an overtly political statement from us. We know that Native Americans have long had a leaning toward the Democratic Party, but we took this assignment on because it is relevant, not to be political.⁣⁣ ⁣⁣ There is wide recognition now that Christopher Columbus did not discover America in 1492 and the events in Minneapolis have accelerated the debate on the possibility of institutionalised racism in the teaching of American history. This is not a discussion we want to fully engage in - as we are ill equipped to add value, but I do want to celebrate some of the tribal elders I have had the fortune to encounter in the last month. Their pride, manners, grace and humility have been humbling. We have made new friends in the North.⁣⁣ ⁣⁣ For this project we worked with Chief John Spotted Tail, the great-great-grandson of the fabled Lakota chief Spotted Tail. We spent two days with him in Northern Wyoming and he was so excited to wear the headpiece that only the most senior Native American chiefs like him can wear. His attire was emphatically his decision not ours. Their heritage is integral to their souls.⁣⁣ ⁣⁣ The ground in front of Devils Tower...

'Wild Night' is s series inspired by the Swedish Tradition of Årsgång. Translated as ‘the omen walk’, it is traditionally performed on new years eve or the ...

An immense beech pollard, cut in its youth hundreds of years ago, has developed dozens of thick branches from its spiralling trunk. One in a line of several very old beeches in Sussex woodland that may have marked a boundary or a long forgotten track. Artwork info: Archival Pigment Print, Edition of 8 +2AP This print is unframed but can be mounted on Dibond upon request (price upon application) and further framing options are also available - Please contact us at MMX Gallery for more details or purchase here the unframed print. About the Artist: Born in Birmingham in 1973, Jasper Goodall...

Original title: Silver Path, Twilight #35 by Jasper Goodall A silver path winds its way through twisted, towering beech trees; an invitation to step int...

A stand of spinous silver birch gather, shining white against the inky night... Over a three-year period, Goodall has visited areas of British forest and moorland to make images that he refers to as being 'more akin to fairytale than documentary'. There is indeed an unreal quality to the images, and this is perhaps a result of using artificial lighting; it reminds one of those spooky, unnaturally lit forests we see in the movies. In the absence of any natural illumination (save for a few that include the moon), scenes are lit as if they are in a studio setting. This results in imagery that feels eerily unfamiliar; transporting the viewer from the recognisable landscape into a kind of liminal netherworld - it's the landscape, but not as we are used to seeing it. Goodall responds to this observation by speaking about the possibility of the darkness being seen as a metaphor for the unconscious mind; the 'light' of consciousness illuminates the known forms of tree and rock, but beyond these certainties lies the unknown. When your eyes have little information, your imagination takes over and fills in the gaps." - Jasper Goodall...

Black and white fine art photography Gerald Berghammer. Silver Gelatin Prints, Selenium Toned, Printed 2017. Limited Edition 3/20. Signed, numbered, dated by Artis. Handmade wood fra...